https://www.jenniliebrewster.com/about daily 0.75 2026-02-25 https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/16b64788-7b4a-4769-b183-6f1264da1443/IMG_2973.jpg https://www.jenniliebrewster.com/writing daily 0.75 2026-02-23 https://www.jenniliebrewster.com/artwork daily 0.75 2026-02-25 https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/76ad0ce4-e1d8-4150-aa12-d4af4ebb95c9/4_NewspaperSeries.jpg ARTWORK Newspaper Series, 2008 - 2010 | acrylic and collage on canvases | 16 x 20 inches each (20 of 64 paintings shown) https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1131de2a-f18b-4f5f-b71e-25be1194aa35/7_Birds-2.jpg ARTWORK Birds, 2009 (from Newspaper Series) | acrylic and collage on canvas | 16 x 20 inches https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/e39ef493-4eeb-4aee-bf57-89e160d72439/September.jpg ARTWORK September (from Icebergs series), 2016 | acrylic and collage on canvas | 16 x 20 inches https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/4cf22073-5d79-4c2c-bf04-a45b7fde1982/StateoftheUnion.jpg ARTWORK State of the Union, 2006 | acrylic on newspaper photos, postcards, calendar pages, and brown paper) | 9 x 18 feet https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1c8cb64d-b9bb-4077-9fea-d2084086772d/Blurs2.jpg ARTWORK Blurs (installation detail), 2002 | house paint and pencil on walls with rope and hardware | 7 x 9 x 12 feet https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1372de22-6eb0-4855-bb39-57d9faafbdce/Final_Frontier.jpg ARTWORK Final Frontier, 2005 | acrylic and neon pins on brown paper | 5.5 x 18 feet https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/b1c281c7-443d-4a3b-be94-032610355909/Stacked_Clouds.jpg ARTWORK Stacked Clouds, 2004 | acrylic on brown paper bags | 52 x 34 inches https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1693552384804-WF0JPYVQTY1OSYNOJENR/10_DaytimeMoon1-2%2Bwith%2Bshadow.jpg ARTWORK Daytime Moon, 2010 | acrylic, collage, tape, and book pages from The Wasteland by T.S. Eliot | 3 x 3 feet https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1693453283010-7B52CG57GOOYTDT1RD30/Island.jpg ARTWORK Island, 2005 | acrylic on brown paper | 3.5 x 8 feet https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1693515180924-64SS4S8TCIBTM8ECSD8W/1ARoomOfOnesOwn1.jpg ARTWORK A Room of One's Own, 2009 | house paint on wall and discarded items collected from community | 8 x 10 x 28 feet https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1693515324736-4PGLOJITR13ASKVLL7LQ/4LoveStory.jpg ARTWORK Love Story, 2007 | house paint on wall and floor, Astroturf, acrylic and collage on shoeboxes | 11 x 16 x 28 feet https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1693515385875-MUY3KU83TOZLPDBDI0BA/7_WeAreNowhereAndItsNow.jpg ARTWORK We Are Nowhere And It's Now, 2010 | artist's snapshots, love letters, maps, etc. plus ephemera collected from the community, acrylic, tape, and string | 1000 sq. feet https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1693515111286-X9YYE009VX2JOS1ZCXOZ/AD_detail3.jpg ARTWORK Adam's Desert (installation detail), 2006 | acrylic and collage on paper on wall | dimensions variable https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/d22e454c-6243-4650-8083-03563279ec35/J_2+copy+with+shadow.jpg ARTWORK Black Mirror, 2008 | acrylic, collage, tape, and string on brown paper | 7.5 x 7.5 feet https://www.jenniliebrewster.com/home daily 1.0 2026-02-26 https://www.jenniliebrewster.com/documentary daily 0.75 2026-02-25 https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/ddd3c43c-10f9-405a-b0e4-4fb23ca82fd2/FTDG_Poster_JPEG_Web.jpg DOCUMENTARY Fire Through Dry Grass / 2023 / 89 minutes / On a tiny island in NYC, a group of Black and brown disabled artists fight Covid and the city to protect the lives of 500 vulnerable nursing home residents. / Directed by Alexis Neophytides + Andres “Jay” Molina / PRODUCER https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/c1fb80af-bfa0-458d-a31c-cff4200f3436/MV5BMzZhYzE5YjItYWUzOS00MjI4LTk1MjMtZmMxNzI3MTdmYmVhXkEyXkFqcGc%40._V1_FMjpg_UX1000_.jpg DOCUMENTARY A Place of Absence / 2025 / 88 minutes / A group of Central American women travel the migrant route in search of their children who vanished trying to reach the U.S. / Directed by Marialuisa Ernst / CONSULTING PRODUCER https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/58cdbd45-c54d-4928-85b4-d6778e74cfd8/Copy+of+AMERICAN+FALL+Documentary+Feature.jpg DOCUMENTARY American Fall / 2027 / feature length / A road trip through the U.S. in the fall of 2024 to discover what unites us. / Directed by Alexis Neophytides / CONSULTING PRODUCER https://www.jenniliebrewster.com/documentary-1 daily 0.75 2026-02-23 https://images.squarespace-cdn.com/content/v1/64dce3019191476c52f5a11c/1e4b9f64-7c46-447e-9719-9f43b996c720/2025_RRA_001_001.jpg MIXED MEDIA A Rain Of Ruin, 2025 / Mixed Media / 7.5 x 14 ft. / This sculptural wall mural and sound installation was created at MACRE Ithaca in August 2025 to mark the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki. From two speakers, a dialogue unfolds between the artist and an AI-generated replica of her deceased father’s voice, drawn from his oral history in Answering Their Country’s Call: Marylanders in World War II (Johns Hopkins University Press, 2002). Developed with artist and sound engineer Norm Scott and the artist’s brother Gerry L. Brewster, the recreated voice combines performance and archival audio. The voices narrate a red-splattered landscape recalling the battle of Sugar Loaf Hill and the wider devastation of the atomic bomb, reflecting on inherited memory, war mythology, and the enduring legacy of mass destruction. Together, the voices narrate a red-splattered landscape recalling both the brutal battle of Sugar Loaf Hill and the wider devastation of the atomic bomb. The work reflects on inherited memory, the silence of trauma, and the tension between patriotic myth and the morally complex histories that shape how we understand mass destruction today.